There was a renaissance of artistic freedom in mainstream films during the 70s. At this time, the public began to embrace international, independent and alternative cinema, which encouraged filmmakers to redefine their craft in visual and narrative terms. This resulted in a strangeness and originality that could never make it into the big budget films of today.
Horror and sci-fi often express the zeitgeist or fears of an era. In this period, feminism translated into the new phenomenon of the female protagonist transitioning from victim to heroine, such as in classics like Halloween or Alien. The Satanic Panic of the religious right created an interest in occult subjects, which were the focus of so may filmmakers of the time like Roman Polanski and Dario Argento.

Fathom (MCMLXXVI), 2014, examines elements of horror and sci-fi from this period. Through digital photography, I create the outline of a narrative, giving the viewer stills from an imagined film. I give clues, such as a female lead being pursued by an invisible antagonist, which suggests the supernatural is at play. I project a video of a ghostly scene on loop behind a velvet movie curtain with a single red light bulb, suggesting a space where a medium would summon spirits. Style and subject matter take on the elements of the uncanny, the seductive and the enticing quality of our anxieties and curiosities.

 

Oppositions & Parallels, 2014, is a series of photographs exploring the relationship between environment, both man-made and natural, and the self. Having traveled abroad extensively, I have at points found myself to be the outsider, the newcomer, and the stranger. Viewing oneself in an alien environment can take on an out of body kind of experience, as if one was a voyeur to his or her own actions. To create these images I arranged mirrors and prisms within a small room of mirrors and used a camera, a tool that utilizes mirrors and reflection/refraction, to capture the images. The photographs were displayed on mirror shelves reflecting both the image as well as a pattern of light and shadow on the wall behind it. I ultimately constructed a distorted and fractured version of myself within my surrounding environment sometimes physically present, others not. The endless reflections also determine how I fit into and interact with my surroundings. These artworks explore associated feelings of confusion, loss, anxiety, desire, and loneliness, emotions which can arise from living an itinerant and malleable existence.